Emmer Winder
NumberSix
exhibiting Now:
Rogue Women 5: departure




The last generation to grow up without AI are already using it to train their children’s behaviour. All future engagement with learning, creativity and understanding will be fuelled by a data driven engine.
Since 2011, smartphones have become a staple part of the family, joining us at the dinner table, at work, on transport, even in bed. We now find it hard to function without it. Misplacing it causes our hearts to race, as if we had lost sight of a child. It has become a convenient companion, always in our hand; we are physically and mentally alone without it. This is not an accident. Our attention is valuable to consumer technologies, the more they can create addictive behaviours, the stronger our connection and need for their product. Another reel, another advert, another sale. But at what cost to those around us. Our online persona takes time, effort and editing to develop and maintain. The more we interact with the online world, the more we strengthen our departure from the real one.
Nursey settings are reporting a national decline in early years development. Very young children are arriving with the ability to swipe a screen, but not to walk and talk properly. Cognitive progress flourishes through play, reading social clues, mirroring patterns and behaviour to establish how relationships work. As parenting is eroded through the absence of communication and attention, children are increasingly left to derail as we push them to recognise digital experiences as the norm.
The opportunity to gather knowledge in a natural environment, to use basic building blocks to construct self-awareness, discovery and resilience, is becoming a nostalgic vision of a past where learning was individual and empirical, not dictated as mass instructions.
Recent exhibitions
Whitaker Open / Whitaker Museum, Rossendale/ 2026
Rogue Women 5 / Rogue Artist Studios, Manchester/ 2026
LIPF / Brick Lane, London/ 2026
Home Open 2026 / HOME, Manchester/ 2026
Fuzzy Memories / Hannover Project, Preston/ 2026
Rogue Women 4 / Rogue Artist Studios, Manchester/ 2025
Soft Proof / Rogue Artist Studios, Manchester/ 2025
PUFF / Grenoble, France / 2025
Berlin Paste Up Festival / Berlin, Germany / 2025
A Small Space / Silk Museum, Macclesfield / 2025
LIPF / Shoreditch, London / 2025
Our Town Sounds / Shakespeare North Playhouse, Prescot / 2025
Rogue Women 3 / Rogue Artist Studios, Manchester/ 2024
LIPF / Shoreditch, London / 2024
Revolting Artists 2: Hope / Saint Nics Gallery, Weymouth/ 2024
Rogue Women / The Manchester Contemporary, Manchester/ 2023
Open 23 / Bury Art Gallery, Manchester/ 2023
Tees / Rogue Artist Studios, Manchester/ 2023
LIPF / Shoreditch, London / 2023
Rogue Women 2 / Rogue Artist Studios, Manchester/ 2023
Revolting Artists: Greed / Saint Nics Gallery, Weymouth/ 2023
WCAF / Warrington Art Gallery, Warrington / 2022
LIPF / Shoreditch, London / 2022
Open / Air Gallery, Altrincham /2022
Indy Biennial / Independentsbiennial.com /2021
Open / HOME Gallery, Manchester / 2020
Heart / The World Of Glass, St Helens / 2019
20/20 Print Exchange / International Exhibition / 2019-2021
Open/ The World Of Glass, St Helens/ 2018
